Friday, November 19, 2010

Royal Tenebaums

Size: determined by artist

Create an illustration featuring at least two of the characters from The Royal Tenebaums. This may be an engaging portrait or a narrative illustration based on a scene (real or suggested).

Due: Nov 30

Email Assignment: Starbucks

Size: square spot illustration (printed 5”x5”)

Email 3 different sketches for the humor article Open Letter to Starbucks. We will not be going to final on this project, but use it as a chance to practice pitching ideas. Sketches should be 72 dpi jpegs no larger than 450 pixels wide (about 6 inches). Make sure your images are clear and presentable. I will be looking for a variety of good concepts, clarity, and punctuality.

Due: emailed by 9:10 pm on Nov 23rd.

Open Letter to Starbucks

Hey, is there anywhere to get a decent cup of coffee around here?
Oh, come on. Don't look so sad. When we're in the mood for a twenty-four-ounce cup of pumpkin-pie-flavored Cool Whip, a Feist CD covered in mocha fingerprints, a possibly exaggerated memoir by a former child soldier, and some customer "service" that denies our essential humanity, we still head straight to our corner Starbucks. Or the one across from that one. Or the one that will have opened farther down the block by the time we finish typing this sentence.
Here's the thing, though: We're never, ever in that mood.
What we do like is coffee. If coffee were smack, we'd be Pete Doherty and we'd refuse to give it up, even if it cost us our career and our supermodel girlfriend. And we'll tank up anywhere: the neighborhood joint with the womyn-friendly breast-feeding policy and the couches composed entirely of rusty springs; the swill dispenser down the hall; an AA meeting. Anywhere, that is, but Starbucks.
In this we're not alone. America is a caffeine nation, perpetually jacked up on gallons of magma-hot fuck-yeah juice, and logically you guys should still be making more money than Halliburton and Hannah Montana combined. Instead your market share is crumbling, and so is your cultural primacy. Snooty people have moved on to snootier coffee—shade-grown, fair-trade, artisanal, brought down the mountain by mules that have good dental coverage. Everybody else went back to Dunkin' Donuts. You're still part of the fabric of American life—think of Mary-Kate Olsen's ever present Venti cup, proof despite massive evidence to the contrary that she's Just Like Us—but so is soul-crushing corporate suckitude. Your new ads spotlight a straight-down-the-middle brew called Pike Place Roast. We're glad you're getting back into the coffee business—seriously, is there anything you haven't put in a latte yet? Courvoisier? DayQuil? unicorn tears?—but we've tried this stuff, and it should come with an Egg McMuffin on the side. It's a rich, complex blend of desperation and mediocrity.
The real problem is that there used to be something about you, Starbucks, and now there isn't. You were a quintessentially '90s company. You were from Seattle, the same rainy cradle of anticorporate corporateness that gave us Microsoft and major-label grunge. Young dreamers camped out in your stores all day like the cast of Friends, filling napkins with business plans for e-commerce Web sites. ("It's like for Wiccans!") We were all going to get crazy rich and wear ironic sexy grandpa T-shirts to offices where we'd play Frisbee golf instead of working. A $4 latte wasn't an extravagance; it was a little rehearsal for the cushy life that was about to be ours. Even your stupid fake-Italian language made us feel sophisticated. The 7-Eleven crowd could have their week-old bubblin' crude; we'd be over here, talking like Marcello Mastroianni, because we knew better. Even back then, you seemed a little evil-empire-ish. But man, your chairs were comfy. So we drank your overpriced espresso-shakes. We drank them up!
You know the rest. Cobain died. We got Dubya, war, a recession, and our workplace doesn't have a Centipede machine. We're living in an era of diminished expectations, and if things aren't going so well for you, maybe it isn't because people resent your McDonald's-esque omnipresence, those cups adorned with quotes from deep thinkers like Josh Groban and David Copperfield, or the fact that you roast your beans under the space shuttle. Maybe it's because your neither-luxurious-nor-particularly-affordable idea of affordable luxury now seems like a nonfat, half-caf, quadruple-grande bad joke. With extra foam.
In other words, you've brought this on yourself. If we learned one thing from The Wire, it's that you can only control all the corner real estate in town and pay disenfranchised young people to sling an addictive product for so long before you lose your grip on the game. But we're not mad at you, Starbucks. Give us a call sometime. We'll grab a coffee. It's on us—we just shorted your stock.

Wednesday, October 27, 2010

Student Work: Weekly Dig Cover, "Fall"

Kelly Mahoney

Eamon Smyth

Aoi Suzuki

Josh Melamed

Lindsey Desrosiers

Joe Banda

Kyla Lincoln

Matt Tanzi

Health Spot Illustrations

Size: each illustration will be printed in a 4”x 5” area. Images will have organic edges (not boxed in). You must size up your illustrations to at least 8”x10” when creating them.

Once in a while a client will hire you with an idea already in mind. For this project, take the direction below for three related spot illustrations for a health article. Make sure your images are cohesive through elements such as execution, style, and color.

“Thanks for working with us! We are putting together an article dealing with seasonal illness and prevention. The text is pretty straightforward, so we’re hoping the illustrations can add some flair to the project. The text will be wrapped around the images, so we’re looking for more vignette-style spot illos. Please show racial diversity among the characters.”

Illustration 1: A mom-type character in a caretaker role (chicken soup, etc).

Illustration 2: A woman out and about with all the usual tools for fighting illness (kleenex, medicine, and such). We want young professional, not soccer mom. She can either be successfully going about her normal life or struggling with illness, we’ll let you decide.

Illustration 3: A boy (anywhere from age 8-12) in bed sick. Maybe have a thermometer sticking out of his mouth? More of a close up, the whole bed may be too much for a spot illo and we want to focus on the character.

You will have 2 weeks for the final.

Sketches Due: Oct 26

Final Due: Nov 9

Friday, October 22, 2010

Montserrat Holiday Card

Size: 4.25 x 5.5 and include a 1/8th inch bleed if the design goes to the edges. 
(image can be horizontal or vertical)
Create an illustration for the Montserrat Holiday Card. This card is sent out every year to staff and faculty and is always created by a current Illustration student in the department. We will be making images with the intention of submitting them for consideration towards this year’s card. The chosen student will be paid for their illustration.

You will have 2 weeks for the final.

Sketches Due: Oct 26

Final Due: Nov 9

Friday, October 8, 2010

Boston Weekly Dig

Size: ratio of 10”x 9”

Using the theme of “Fall”, Illustrate the cover of Boston’s The Weekly Dig. Your subject matter could relate to Halloween, Fall activities, Fall fashions, seasonal sports, etc. 

The Weekly Dig attracts a young, hip audience and covers current news as well as music, culture, and nightlife in Boston.

You will have 2 weeks for the final illustration.

Sketches Due: Oct 12

Final Due: Oct 26